There is a profound sense of sadness which
pervades this episode. The dialogue is scintillating in some scenes, the
story is not preachy, and it touches on a host of contemporary and old
issues.
'Either... or...'
The characters are given two
choices at many instances in the story. Either you go back to the
back-breaking bike or you lose your own identity and become part of the
enterprise. The episode is more about the effects of centralization or
monopolization on our society, With a monopoly, there are greater ways of control on your life. Abi is only a 'good' singer and since all
slots for singing were taken she wouldn't make it as a singer. Who
decides the number of seats? The characters are forced to watch
disgusting adverts if they cannot pay to skip them, even if they have to
go through mental trauma doing it. This is opposite of a free market
democracy which emphasizes more choices and organic development of
solutions to existing problems. In a monopoly only those solutions are
developed which benefit the monopoly.
'It is not fair!'
It is
shown that one contestant is unable to get a chance to showcase her
skills because she has an unlikeable personality. The screening round of
the contest is totally arbitrary and depends on what would sell
(someone ethnic? someone dark-haired?). Bing and Abi decide to enter the
tournament because they expected a fair treatment. Instead both are
assimilated into the system contrary to their own expectations. Bing's
passion was against the system itself--he had worked tirelessly to enter
the contest again--but he chooses to become a part of the stream,
someone who benefits from the monopoly. Abi wanted recognition for her
singing talent, but instead she accepts to become a porn star on the
stream because she was deemed beautiful.
"I pay for this!"
The
story dwells on the theme of consumerism, populism and socialism. The
show was not able to deny Bing because the audience's engagement with
his speech was high. Similarly Abi's audience engagement was high
because of her beauty, so she was also not denied. It is shown that
people buy avatars or other such virtual 'stuff' with their hard earned
merits, and it becomes a source of joy for them. It celebrates being a
consumer instead of being a producer, because a consumer needs no
qualifications. The currency which signifies a token of value and which
should have been used as a proxy for exchange of goods, instead has
become a token anyone can earn solely by riding a bike. Anyone without
any skills can now earn this currency which has basically become like
free money. So instead of meritocratizing a skill based on its intrinsic
value (if it is more valuable than anyone else having that skill), the
system has instead distributed this currency to everyone regardless of
who deserves how much. This is the problem in a 'one size fits all'
approach which only a centralized system can do. So every person is now a
consumer, and they get to dictate how the 'producers' should produce.
Since the consumers are all equal (free money), the most aggressive
consumers will be able to dominate over the other consumers, and there
will never be any incentives to the producers for skill or quality.
Hence the system all goes down into a degenerative spiral. This
domination of the aggressive consumers in an 'equalized' society is
shown when the decisions of the populist judges are on the basis of the
audience's reaction.
"I just want something real to happen"
This
is the overarching theme of the Black mirror series. Technology is
often a mapping of a gamut of signals from the real world to a depleted
subset of monochromatic signals inside the system. In the real world,
the array of information available to us is limitless. But technology
being inferior in definition and modeling, can only converse in a subset
which humans deem important. Here humans deem profitability as
important, so out of those 'n' reality bits, only a few are chosen as
worthy of selection, like looks, or passion. The rest of the spectrum is
discarded, tossed away as 'unworthy'.
Reality is what makes the
world beautiful. The rest of those attributes make up for that missing
reality. That is why technology comes across as bland or monochromatic.
Bing's realness is what makes him splurge on avoiding his consumeristic
tendencies, gifting his merits to Abi, and then using his merits to try
to expose the system's exploitation to everyone. It is his realness that
makes him fall in love, his yearning for beauty which causes him to
search for it in even a toilet. The system keeps trying to engage with
him according to a 'one size fits all' pattern, but his realness won't
allow it. It shows how insufficient technology is when it comes to
interacting with the real world. Technology is not a substitute for
reality.
"Stop there or I'll do it!"
A monopoly encourages
arbitrary constraints on people and increases discontent. It also shows
that an unbridled power foments revolution. In one instant Bing loses
everything, his love and his merits. Because of how unfair it was, he
works hard to expose the system to everyone. Generally this is how the
world's history has been, a topsy-turvy never-ending chain of upheavals.
There is a concerted effort to centralize control, then time's
relentless march stops this centralization, leading to a chaotic phase
of decentralization, and so on.
"Still I'll be there for you"
Love
is a major theme. It begins with the song which Abi hums in the
bathroom, and it is about "they can't see you like I can". Bing, lost in
the mirage of the unreal, glimpses and immediately recognizes beauty.
The song is a desert rose, untouched by the compressive,
compartmentalizing algorithm or blinding light of the screen. Abi is
fresh into the system, she is still real, still true, still innocent. It
is not her physical beauty he is attracted to. It is the genuine smile
she gives him, the true joy he feels in a selfless act of giving her
everything he owns, the unanticipated and spontaneous holding of hands.
The story makes the distinction how a true emotion between two real
people is different from the 'fake' emotions that is evoked by the
screen. The emotions that are programmatically evoked from people are
from the seven sins from the Bible ie pride, greed, wrath, envy, lust,
gluttony and sloth.
But unlike the traditional portrayal of love,
the story treats it real--just like any other emotion. Love is not
all-conquering, it is not undying, it has a price. The price was the
promotion of a consumer to a producer, perhaps the highest price that
the system could give.
After Abi is assimilated into the system, it
is his genuine feeling for her that makes Bing plan the expose. Just
like the song, he wants to be there for her. He runs the marathon, he
watches the adverts, and skimps and scrapes and finally makes it back to
the stage, only to realize that Abi is nowhere closer than before. When
it finally hits him that he is just another 'performer', he gives up
and accepts a position in the same system.
"...bigger cells and bigger screens..."
Much
of the story is about the authoritarianism of a monopoly. After his
outburst, Bing moves into a spacious 'cell' and here he
has--ironically--a much bigger screen which does not play annoying
adverts. He looks much healthier, and he places his shard of glass in a
slick box. The story goes on to show that even a revolutionary piece of
glass, with which he had intended to kill himself, could be changed into
a pretty souvenir, a gimmick prop for his stream. When he says that he
still wants to kill himself on the screen, we feel that he is lying,
that he has sold his soul to the algorithm in exchange of comfort. And
so he bids farewell forever first then changes to 'till the same time
next week'. A monopoly can change a person by giving them the right
incentives, however motivated they might be.
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